Catalogue recordExplore the museum’s recordTHE METIgnorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)Giovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METThe seated Virgin with the infant Christ flanked by Joseph at right and Saint Elizabeth with infant John the Baptist at leftGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METCandelabra grotesque with the head of AeneasGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METFrieze with acanthus scrolls and a dogGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METHercules standing over the Nemean Lion and holding open its jawsGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METHead of an old manGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METThe Presentation of the Virgin in the Temple; at left a group of women standing at the base of a staircase across from a beggar with crutches; at center the Virgin ascending stairs towards a priestGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METHercules wearing a lion skin holding Antaeus whose arm reaches to the left; an inscribed tablet hanging on a dead tree at rightGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METDejanira at left, naked and seen from behind looking at Hercules also naked, who holds a lion skin and a clubGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METFrieze with grotesque creatures and acanthus scrollsGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METCandelabra grotesque with six cupids seated on a pedestal and two nereidsGiovanni Antonio da Bresciaca. 1490–1525 Compare
Catalogue recordExplore the museum’s recordTHE METThe Flagellation of Christ who is tied to a column at center set within an arcadeGiovanni Antonio da Brescia1509 Compare