Art Institute of Chicago

Self-Portrait with a Visor

Jean Baptiste Siméon Chardin

c. 1776

Attribution

Jean-Siméon Chardin French, 1699-1779

Medium

Pastel on blue laid paper, mounted on canvas

Physical dimensions

45.7 × 37.4 cm (18 × 14 3/4 in.)

Credit line

Clarence Buckingham Collection and the Harold Joachim Memorial Fund

From the museum

Over a century after its creation, the French novelist Marcel Proust said of Jean-Siméon Chardin’s audacious self-portrait, “This old oddity is so intelligent, so crazy . . . above all, so much of an artist.” In a fitting finale to a long, successful career as a painter of still lifes and genre scenes, Chardin turned in his last decade to a new medium, pastel, and to a new subject matter, portraits (primarily self-portraits). Eye problems arising from lead-based oil paint poisoning were the partial cause of this dramatic change. Of his thirteen extant pastel self-portraits, the most famous are versions of the example seen here, with the casually dressed, aging artist in his studio. A virtuoso colorist, the septuagenarian here revealed a joyously free stroke and palette. Nonetheless, the construction of the figure is solid and rigorous, adding to his powerful presence. This composition was created at the same time as a portrait of the artist’s wife for the 1775 Salon (Musée du Louvre, Paris). A year later, Chardin—with greater daring—replicated the pair. These later portraits were separated for almost two hundred years, until they were reunited in the collection of the Art Institute.

Description: Art Institute of Chicago · CC BY 4.0