URSY.ARTPART OF THE URSY NETWORKSign inExplore
Skip to content
← Back to the collection
In the museum catalogue

An image is not available here yet.

View at the museum ↗
Art Institute of Chicago

White Dog

Wenceslaus Hollar

1649

Attribution
Wenceslaus Hollar (Bohemian, 1607-1677) after Adriaen Jacobz Matham (Dutch, 1599-1660)
Medium
Etching on ivory laid paper
Physical dimensions
Plate: 7.7 × 12.2 cm (3 1/16 × 4 13/16 in.); Sheet: 15.5 × 21.2 cm (6 1/8 × 8 3/8 in.)
Credit line
Gift of James Wells
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

View the museum record ↗

From the museum

Images of dogs in the early modern period could have allegorical or moral meanings or simply offer literal portraits. Wenceslaus Hollar’s profile study of a popular type of dog likely presents its sitter as a status symbol as well as someone’s pet. While the untamed lion-like mane could belong to a small poodle, this engraving is sometimes thought to represent a Bolognese dog, an Italian breed owned by and portrayed with members of the Gonzaga family in the sixteenth century and later idolized by Catherine the Great of Russia.

Description: Art Institute of Chicago · CC BY 4.0

Open collection · 706,931 works · Museum sources. Visible evidence. CONNECTED
A DIFFERENT WAY TO DISCOVER

Follow your inspiration.

Find art with a description, a reference image, or a selected crop.

Private searches run on our local image worker. Inputs expire after one hour and are never added to the public collection.