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Art Institute of Chicago

Belshazzar's Feast, from Illustrations of the Bible

John Martin

1835

Attribution
John Martin English, 1789-1854
Medium
Mezzotint with etching in black on ivory wove paper
Physical dimensions
Image: 19 × 29 cm (7 1/2 × 11 7/16 in.); Plate: 26.8 × 35.7 cm (10 9/16 × 14 1/16 in.); Sheet: 32.9 × 41.6 cm (13 × 16 7/16 in.)
Credit line
Mary S. Adams Endowment
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

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From the museum

The visionary Romantic painter John Martin’s Illustrations of the Bible (1831–35) boasts some of the most dramatic mezzotints of the 19th century. This series enthusiastically embraced J. M. W. Turner’s “historical” category from the Liber Studiorum (1807–1819). Yet “Mad” Martin eschewed Turner’s sepia tonality for a deep, velvet black periodically ripped asunder by lightning bolts. He engraved over 100 mezzotints, with special attention paid to the light and dark contrasts of Old Testament miracles and disasters. Although the series remained unfinished, his taste for elaborate destruction was sometimes well remunerated: when his gigantic oil painting Belshazzar’s Feast (1821; private collection) was put on view soon after being made, it attracted 50,000 paying viewers.

Description: Art Institute of Chicago · CC BY 4.0

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