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Art Institute of Chicago

The Rape of a Sabine Woman, Frontal View

Jan Harmensz. Muller

c. 1598

Attribution
Jan Harmensz Muller (Dutch, 1571-1628) after Adriaen de Vries (Dutch, c. 1545-1626)
Medium
Engraving on paper
Physical dimensions
Sheet, trimmed within platemark: 42 × 28 cm (16 9/16 × 11 1/16 in.)
Credit line
The Wallace L. DeWolf and Joseph Brooks Fair Collections
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

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From the museum

Jan Harmensz Müller produced a series of masterful engravings from three different vantage points after wax models for Adriaen de Vries’s sculpture Rape of a Sabine . Although De Vries cast his sculpture around 1620, long after Müller produced his prints, he replicated the style of antique bronzes. Müller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The ancient story, in which Roman soldiers requisitioned brides en masse, is particularly apt for this purpose, for the images showcase the twists and turns of conflicting male and female bodies.

Description: Art Institute of Chicago · CC BY 4.0

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