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View at the museum ↗The Wedding
Jacob Lawrence1948
- Attribution
- Jacob Lawrence American, 1917–2000
- Medium
- Egg tempera on hardboard
- Physical dimensions
- 50.8 × 61 cm (20 × 24 in.)
- Credit line
- Purchased with funds provided by Mary P. Hines in memory of her mother, Frances W. Pick
Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.
Source rights statement: © 2018 The Jacob and Gwendolyn Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
View the museum record ↗From the museum
“I paint the things I have experienced,” Jacob Lawrence once said. In The Wedding , Lawrence depicted both the solemnity and the joy of a marriage ceremony and the coming together of families. Positioning the figures with their backs to the viewer, Lawrence’s composition invites us to participate in the couple’s major life event. Although the preacher’s face is only partially defined, he appears to look down with great seriousness as the two contemplate their vows. The large, colorful urns overflowing with flowers signify happiness and may also represent the future prosperity of this union. Lawrence depicted the histories and events of black Americans—whether through individual compositions such as The Wedding that commemorated the everyday activities of his fellow Harlem residents, or through series of paintings that explored subjects ranging from the Great Migration to the story of Harriet Tubman.
Description: Art Institute of Chicago · CC BY 4.0