Art Institute of Chicago

CARVING: A Traditional Sculpture

Eleanor Antin

1972

Attribution

Eleanor Antin American, born 1935

Medium

148 gelatin silver prints and text panel

Physical dimensions

Each photograph: 17.7 × 12.7 cm (7 × 5 in.); Text panel: 39.4 × 26 cm (15 1/2 × 10 1/4 in.); Installed: 79.4 × 518.2 cm (31 5/16 × 204 1/16 in.); 79.4 × 518.2 cm (31 1/4 × 204 in.)

Credit line

Twentieth-Century Discretionary Fund

From the museum

A landmark early feminist work, Eleanor Antin’s Carving: A Traditional Sculpture comprises 148 black-and-white photographs documenting the artist’s loss of 10 pounds over 37 days. Every morning she was photographed naked in the same four stances to record her barely perceptible self-induced weight loss. (The photographs from each day are arranged vertically, and the entire process can be read horizontally, like a filmstrip.) Antin’s performance purposely toyed with the traditional process of Greek sculptors, who were said to find their ideal form by chipping away at a block of marble and discarding any unnecessary material. The artist’s idea of “carving” her own body was inspired by an invitation from the Whitney Museum of Art for its biennial survey exhibition, which at the time restricted itself to the established categories of painting and sculpture, though this work was considered too conceptual for the exhibition.

Description: Art Institute of Chicago · CC BY 4.0