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Art Institute of Chicago

Christ at Emmaus Presenting the Bread

Bernardo Strozzi

1630/40

Attribution
Bernardo Strozzi (Il Prete Genovese or Il Cappuccino) Italian, 1581-1664
Medium
Black chalk, heightened with white chalk, on gray laid paper with blue fibers
Physical dimensions
30.2 × 24.2 cm (11 15/16 × 9 9/16 in.)
Credit line
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

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From the museum

Depicted in profile, Christ seems compellingly real, his humanity as tangible as the bread he holds in his gnarled hands or the folds of his cloak on the chair. Drawn with black and white chalks on a somewhat faded blue paper, this sheet was undoubtedly a preparatory study for one of the 18 known paintings of the Supper at Emmaus produced by this Genoese-born artist and his workshop, probably during his later years working in Venice. For a Capuchin monk like Strozzi, the story of Christ’s appearance to two strangers on the road to Emmaus offered a chance to portray his divinity in very human terms.

Description: Art Institute of Chicago · CC BY 4.0

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