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Art Institute of Chicago

York Harbor, Coast of Maine

Martin Johnson Heade

1877

Attribution
Martin Johnson Heade (American, 1819–1904)
Medium
Oil on canvas
Physical dimensions
38.7 × 76.8 cm (15 1/4 × 30 1/4 in.)
Credit line
Purchased with funds provided by Mrs. Herbert A. Vance; Americana, Lacy Armour and Roger McCormick endowments; through prior gifts of Dr. and Mrs. R. Gordon Brown, Emily Crane Chadbourne, George F. Harding Collection, Brooks McCormick, and James S. Pennington
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

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From the museum

This painting represents Martin Johnson Heade’s mature style from the 1870s and contains many of the compositional elements that have led modern scholars to celebrate the artist as a proponent of Luminism. A 20th-century term, Luminism has consistently been linked to the 19th-century philosophical doctrine of transcendentalism. Stylistically, it is characterized by a horizontal format; tight, invisible brushwork; and pervasive light emanating from an unseen source. Together these qualities embody the intellectual spirit of the American writer and philosopher Ralph Waldo Emerson (1803–1882), who found transcendental unity in the contemplation of nature’s stillness.

Description: Art Institute of Chicago · CC BY 4.0

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