Art Institute of Chicago

Telemachus and Mentor in a Galley after Fleeing the Island of Calypso, from The Adventures of Telemachus, Book 8

Bartolomeo Pinelli

1808

Attribution

Bartolomeo Pinelli Italian, 1781-1835

Medium

Pen and black ink, with brush and gray and brown wash, over black chalk on ivory laid paper, laid down on board

Physical dimensions

46.4 × 59.1 cm (18 5/16 × 23 5/16 in.)

Credit line

Wirt D. Walker Fund

From the museum

These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s. Telemachus is the son of Ulysses from Homer’s Odyssey , the first four books of which describe the hero’s search for his father. Fénelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality Fénelon believed ancient Greece best exemplified. Pinelli illustrated scenes from books 1–8 and one scene from book 18, and probably planned to illustrate more from the 24 books of the text. Throughout, he celebrates the heroic nude, displaying a deep knowledge of ancient Roman sculpture. His style, influenced by Jacques-Louis David and John Flaxman, is characterized by bold, almost cartoonish contours, monochromatic washes, and frieze-like arrangements of figures. On the galley after making their escape from Calypso’s island, Telemachus and Mentor are entertained by the musician Achitoas. He sings and plays his lyre with such skill that the tritons, nereids, and other gods of the sea gather around the ship to listen.

Description: Art Institute of Chicago · CC BY 4.0