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Art Institute of Chicago

Chair (Kiti Cha Enzi)

Swahili

19th century

Attribution
Swahili Lamu, Kenya Eastern and Southern Africa
Medium
Wood, ivory, and cotton fiber
Physical dimensions
125.7 × 75.6 × 72.4 cm (49 1/2 × 29 3/4 × 28 1/2 in.)
Credit line
Purchased with funds provided by Marshall Field V
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

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From the museum

This style of high-backed seat with bone and ivory inlay, known as a “chair of power” or “grandee’s chair” ( kiti cha enzi ), is a graphic reminder of the complex history of international trade and conquest in the region known as the Swahili Coast. As early as the first century, the region’s natural harbors invited exchange with partners in the Persian Gulf and Western India. Later the Portuguese, Omani, and British imposed their authority on its inhabitants. With each conquering state, newly imported goods and practices took root as symbols of authority and power among the Swahili elite. The upright form of the kiti cha enzi chair bears strong resemblance to sixteenth- and seventeenth-century chairs imported from Portugal and Spain, as well as to Portuguese- and Spanish-influenced examples made in India. Comparisons have also been made with chairs from the Mamluk period (1250–1517) in Egypt. In any case, the Swahili version is clearly the result of foreign influences that have been artfully synthesized and reshaped by local artisans. Most such chairs in collections today date from the nineteenth century and were made in large, specialized workshops. They could be found conspicuously displayed in wealthy households along the Swahili Coast into the first half of the twentieth century.

Description: Art Institute of Chicago · CC BY 4.0

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