An image is not available here yet.
View at the museum ↗Untitled
Unknown Makern.d.
- Attribution
- Photographer unknown
- Medium
- Chromogenic print
- Physical dimensions
- Image: 7.6 × 7.6 cm (3 × 3 in.); Paper: 8.9 × 8.9 cm (3 9/16 × 3 9/16 in.)
- Credit line
- Gift of Peter J. Cohen
Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.
Source rights statement: Public-domain image eligibility not established by this export
View the museum record ↗From the museum
After George Eastman introduced the handheld Kodak #1 camera in 1888, amateurs made millions of snapshots depicting friends and family, travels, and festive occasions such as weddings. Even while solidifying such thoroughly conventional behaviors, amateur photography developed a new pictorial language that privileged immediacy, spontaneity, and accident. Career photographers and art historians—but also antiques vendors and flea-market shoppers—have long recognized the value of the “snapshot aesthetic.” The rise of social media and smartphones in recent years has effectively ended the era of the snapshot as both a printed photograph and an image for a private audience.
Description: Art Institute of Chicago · CC BY 4.0