Art Institute of Chicago

Autumn Mountains 秋山圖

Wen Zhengming

Ming dynasty (1368–1644), early 16th century 明朝

Attribution

Wen Zhengming 文徵明 (Chinese, 1470-1559)

Medium

Handscroll; ink on gold-flecked paper

Physical dimensions

32 × 489 cm (12 9/16 × 192 1/2 in.)

Credit line

Kate S. Buckingham Endowment Fund

From the museum

The eminent scholar-painter Wen Zhengming mastered disciplined but unassertive brushwork to create subtly powerful and often poignant compositions. Ascending a steep mountain path, a man with a walking staff is the solitary inhabitant of this landscape; desolate huts and clustered groves of thin trees are his only neighbors. Horizontal strokes accent the densely layered and partially shadowed mountain contours – an intriguing blend or representational form and surface texture. A poetic colophon by Shao Bao (1460-1527) is inscribed after the painting: In the Dao of painting, spring mountains are admired, But one can sympathize even more with autumn mountains. High winds overwhelm strong trees, Heavy rains - one can really see the springs. Tallow and plum trees are thin, Maple groves and apricot [trees] fade and groan. Yet when winter follows this, The pine and cypress are just as before." (translation by Stephen Little)

Description: Art Institute of Chicago · CC BY 4.0