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Art Institute of Chicago

Self-Portrait with Brush and Palette

Edward Steichen

1902

Attribution
Edward Steichen American, born Luxembourg, 1879–1973
Medium
Gum bichromate print
Physical dimensions
Image/paper: 26.7 × 20 cm (10 9/16 × 7 7/8 in.)
Credit line
Alfred Stieglitz Collection
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: © 2018 The Estate of Edward Steichen/Artists Rights Society (ARS), New York

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From the museum

At a time when photography was still not considered a serious art, a group of photographers known as the Photo-Secessionists tried to demonstrate the hand-crafted possibilities of photographic printing. The moody darkness and dramatic highlights of this photograph emerge from visible brushstrokes, the result of the gum bichromate process. Although Edward Steichen was both a painter and a photographer, he chose to represent himself with palette and brush, not with the seemingly more technical tool of the camera. Steichen advanced the Photo-Secessionist cause through photographs like this as well as the exhibitions and publication Camera Work that resulted from his collaboration with close friend Alfred Stieglitz. For more on Edward Steichen’s work in the Art Institute’s collection visit the website: Edward Steichen's World War I Years . For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection .

Description: Art Institute of Chicago · CC BY 4.0

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