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Art Institute of Chicago

Panel (Furnishing Fabric)

Robert Jones

1761

Attribution
After etchings by Nicolaes Berchem (Dutch, 1620–1683), after an engraving by Josephus Sympson (English, 1710–1750), after a painting by Marmaduke Craduck (English, 1660–1717), after a drawing by Francis Barlow (English, 1626–1702) Manufactured by Robert Jones and Company Old Ford, Middlesex, England
Medium
Linen and cotton, plain weave; copperplate printed
Physical dimensions
210.9 × 133.9 cm (83 1/8 × 52 3/4 in.); Warp repeat: H.: 204.1 cm (80 3/8 in.)
Credit line
Purchased with funds provided by Mrs. Howell B. Erminger, Jr.
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: Public domain

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From the museum

The historical significance of this panel comes not from its representation but from its precise documentation in textile history. It is one of the earliest examples using copper plate printing, signed and dated in the plate in two places. the pastoral scene is from an etching by Nicholas Berchem (1620- 1683), dating from 1652; the peacock and poultry still life can be traced to an engraving by Josephus Sympson (1710- 1750) published in London in 1740, after a painting by Marmaduke Cradock (1660- 1717). The columns are emblematic of the classical- revival style favored at the time and the stag and dog motifs can be traced to the volume entitled "Animals of Various Species Accurately Drawn" by Francis Barlow (1626- 1702).

Description: Art Institute of Chicago · CC BY 4.0

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