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Art Institute of Chicago

Reclining Nude

Max Beckmann

1929

Attribution
Max Beckmann German, 1884–1950
Medium
Oil on canvas
Physical dimensions
83.4 × 119 cm (32 7/8 × 46 13/16 in.)
Credit line
Joseph Winterbotham Collection
CATALOGUE RECORD

Museum metadata is available under CC0. Image availability and rights are separate; consult the source record.

Source rights statement: © 2018 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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From the museum

Reclining Nude depicts Mathilde Q. Beckmann (known as Quappi), the artist’s second wife and a talented singer and violinist. During his early career spent in Germany, Max Beckmann criticized the French avant-garde; by the mid-1920s, however, he began to identify with artists working in Paris, and by 1929 he was living, painting, and spending the majority of his time in the city. This painting of Quappi, nude and in a traditional artistic posture of repose, evokes similar compositions by Beckmann’s contemporaries Henri Matisse and Pablo Picasso . This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.

Description: Art Institute of Chicago · CC BY 4.0

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